{"id":16140,"date":"2023-03-27T12:55:01","date_gmt":"2023-03-27T10:55:01","guid":{"rendered":"https:\/\/cinquerossoarte.com\/?p=16140"},"modified":"2023-03-27T12:57:32","modified_gmt":"2023-03-27T10:57:32","slug":"mauro-sini-photography-to-delimit-the-void","status":"publish","type":"post","link":"https:\/\/cinquerossoarte.com\/en\/mauro-sini-photography-to-delimit-the-void\/","title":{"rendered":"Mauro Sini – Photography to delimit the void"},"content":{"rendered":"\n

Passionate about architecture<\/strong>, Mauro Sini looks for essential lines, sharp and precise shapes also for his photographs<\/strong>. It is a study of the void, to explore following one\u2019s inner rhythm.<\/p>\n\n\n\n

Mauro, how did you meet photography?<\/strong><\/p>\n\n\n\n

I met it relatively late, when I was 34. Before that, being very attracted to architecture<\/strong> I started studying at university, but left soon enough. My love for photography was born when I was a kid, when I had the luck of having access to a very old camera, from around the beginning of the XX century, and that opened a whole world for me. Then that love was abandoned and picked up again when I was 34, when I decided I wanted to be a photographer. In this transition I was helped by my two teachers; one is Flavio Renzetti, sculptor and painter, the other is Massimo Costoli, photographer. Massimo, in particular, opened my mind and changed my way of thinking and watching from a photographic point of view. Anyhow, it is thanks to him that I discovered who the Mauro Sini photographer is. Since then, I have followed a career as a fashion and interior design photographer and on the side I kept up my artistic search.<\/p>\n\n\n\n

Architecture is still in your life, though, as many of your subjects are buildings.<\/strong><\/p>\n\n\n\n

Yes, architectural photography is almost a need. I look for lines and sharpness. I often voluntarily exclude the human figure, unless it has a purpose in the context I am portraying. I love to study the space, which is by the way what has always fascinated me in architecture. What I do in my photographs is to attempt to delimit the void, cutting out spaces in an emptiness, from my very personal point of view.<\/p>\n\n\n\n

There also might be particular projects, such as Mitoraj<\/strong>, which I realized in Pompei<\/strong>, where the human figure is present, yet sublimated by the statues.<\/p>\n\n\n\n

Anyway, my creativity is expressed like this, by taking away from the frame instead of inserting in the frame. Even in landscapes, in fact, I look for lines and essentiality.<\/p>\n\n\n\n

Do you use colour as well or it always black and white?<\/strong><\/p>\n\n\n\n

I use colour only when black and white does not enhance the image. And if in black and white<\/strong> I often take advantage of the contrast, with colours I privilege the dark ones, I tend to tone them down. So, in my photography<\/strong>, colour is rare and when it is there, it is dense, never bright.<\/p>\n\n\n\n

Actually, the pictures I take when I am at work, are always in colour, and quite often very bright. Black and white is my niche, my refuge, where everything works as I want and I can read in my own rhythm.<\/p>\n\n\n\n

What is your method? Do you follow a plan or do you let your inspiration guide you?<\/strong><\/p>\n\n\n\n

Besides some specific projects, such as Mitoraj, I let myself be guided by what I see. Sometimes I go and look for intriguing places. I shoot what I see, and having always travelled for work I find myself often in very inspiring places, where I sometimes go back to take pictures in my own time. Now for instance, I am working on pictures of industrial archaeology realized in a ruin in Argentario, Tuscany, where I have every intention of going back to take pictures of the same places, yet at different times of day. This is a particularly structured project, but often my shots are casual: I walk around and I am struck by a shadow, by a reflections or the light coming through a window.<\/p>\n\n\n\n

Discover Mauro Sini’s artworks!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Passionate about architecture, Mauro Sini looks for essential lines, sharp and precise shapes also for his photographs. It is a study of the void, to explore following one\u2019s inner rhythm. Mauro, how did you meet photography? I met it relatively late, when\u2026<\/p>\n","protected":false},"author":2,"featured_media":16142,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1923],"tags":[1273,1274,1275,1276,1277,1278,1279],"acf":[],"yoast_head":"\nMauro Sini - Photography to delimit the void - Cinquerosso Arte<\/title>\n<meta name=\"description\" content=\"Passionate about architecture, Mauro Sini looks for essential lines, sharp and precise shapes also for his photographs. 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